One of the themes that the modern Mexican artists like Artemio Rodriguez continue to explore is that of the religious art. Virgen de Guadalupe impression is made using the linoleum cut by Artemio Rodriguez in 1998. The original artwork is 22 x 15 cm.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
"Innocent Creatures," series by Artemio Rodriguez continues to demonstrate the plasticity of artistic expression of this talented contemporary artist. Posada's imagery undoubtedly continues to play an important role in this inspiration.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artemio Rodríguez's "Campesino" or "Farmer," is a linocut on Arches paper completed in 2001. The work is 18 1/4 inches by 14 inches; the edited image shown is 11 inches by 11 inches.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artemio Rodriguez is a versatile artist, known for his linocuts, here is a painting that is done in ink.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Innocent Creatures series depicts animals of different types.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada (Mexican, 1851–1913)? or perhaps an unkown artist.
On May 25, 1911, Mexico's President Diaz forced to resign as rebels win Mexican Revolution. This broadsheet depicts a farewell poem as well as the image of General Porfirio Díaz.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.?
José Guadalupe Posada (Mexican, 1851–1913).
Posada, who through his graphic work represented with a festive, joyful and caustic vision the popular collective imagination of Mexicans, often focused on the depiction of Calaveras or skulls.
This broadsheet depicts a skull of a movie-maker.
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Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913)
This is a broadsheet that depicts the La Calavera Catrina or Catrina La Calavera Garbancera. It is made from a 1910–1913 zinc etching by the Mexican printmaker, cartoon illustrator and lithographer José Guadalupe Posada.
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Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
The series, "Innocent Creatures" by Artemio Rodriguez also incorporates mythical creatures.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada (Mexican, 1851–1913)
La Poblanita songbook illustration was designed by Posada. The year of publication is not evident on both the title and cover-pages of this booklet. The songbook has 16 pages.
Source: http://ipm.literaturaspopulares.org/%C3%8Dndice:LPAnho.djvu.
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913).
Stanford Curator of Latin Americana, Adan Griego writes, "Posada lived through the almost uninterrupted 30 years of the Porfirio Diaz dictatorship or porfiriato and his calavera images became the venue to satirize the excesses of Mexican bourgeois society. French artist Jean Charlot encountered Posada’s work while visiting Mexican muralist Diego Rivera in the 1920s and is credited with providing a wider audience for the satirical artist."
The source of this image is Stanford Library.
http://library.stanford.edu/blogs/stanford-libraries-blog/2017/10/jose-guadalupe-posada-dia-de-muertos
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913). This broadsheet depicts the image of the Virgin of Guadalupe that surrounded by the leaves of the maguey agave. The bottom half of this broadsheet shows a sort of farewell hymn that pilgrims are supposed to chant while visiting and then leaving the church (Tierno despedimento que hacen los visitantes...).
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Colección de canciones modernas para año 1892.
Vanegas Arroyo typography released each year a songbook of modern songs. This songbook for the year 1892 depicts on its cover a character named Elena. This songbook is produced using the photo-relief and letterpress method. Printed in red and black on tan paper
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
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Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers (Source: https://www.metmuseum.org/art/collection/search/738082).
Photo-relief and letterpress in red and black ink on tan paper.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist:
José Guadalupe Posada (Mexican, 1851–1913)
A cover of a songbook for the year 1895. The cover shows an Asian woman who is holding a traditional fan (el abanico).
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
The cover of a songbook for the year 1894 depicts a lady who is dancing. Her name is printed as "Serpentina".
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Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist:José Guadalupe Posada (Mexican, 1851–1913).
Adios a Mexico 35 Colección de canciones modernas para 1895.
Fair academic use only.
Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
The cover for this 16-page chapbook containing recipes for Mexican desserts presents a man wearing an apron, making sweets in a kitchen.
Zinc etching. Signed.
Chapbooks, Mexican; Mexico wit and humor, Pictorial.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Cover for 'Coleccion de Cartas Amorosas Cuaderno. The cover depicts a couple that is embracing.
Photo-relief and letterpress on off-white paper.
The image source: http://museoblaisten.com/Obra/2468/Coleccion-Cartas-Amorosas
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Photo-relief and letterpress on green paper.
Series: colección de cartas amorosas.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.