Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: "Vaya un torito embolado que al comercio ha revolcado."
a broadsheet with a poem about a drunk bull who apparently attacked several people in the market.
Photo-relief, woodcut, wood engraving and letterpress on beige paper (30 × 20 cm).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: La Calavera infernal. A broadsheet.
The most recurrent theme in his prints, the Calavera (skull), was probably invented by his contemporary Manuel Manilla, but Posada popularized it as a national icon (Source: https://www.moma.org/collection/works/69392).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Title: Antonio Vanegas Arroyo : un editor extraordinario / Mariana Masera (coordinadora).
Published Ciudad de México : Universidad Nacional Autónoma de México, 2017.
Main (Gardner) Stacks
Z493.V36 A58 2017
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada : illustrator of chapbooks
Author: Mercurio López Casillas; José Guadalupe Posada
Publisher: Mexico City : Editorial RM, 2005.
Main (Gardner) Stacks
NE546.P6 A4 2005
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: Manuel Alfonso Manilla (Mexican, Mexico City, ca. 1830 – 1895, Mexico City),
A booklet cover, ca. 1885
10 x 15 cm.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manuel Alfonso Manilla, ca. 1830 – 1895.
Antonio Vanegas Arroyo (1850–1917, Mexican) printer.
Antonio Vanegas Arroyo was born in Puebla, Mexico around 1850; in 1867 he moved to Mexico City; he later established a printing house, and before the turn of the century issued a series of small theatrical works which were put in his Galería de Teatro Infantil; some of his publications had the advantage of being illustrated by José Guadalupe Posada; between them they produced Perico el incorregible, Casa de vecindad and Celos de negro con don Folías ; Vanegas Arroyo published the journals La gaceta callejera, El boletín, El jicote, El teatro, El centavo perdido, and others; he also published the Secretario de los amantes ; he died on March 14, 1917, in Mexico City( Source:http://snaccooperative.org/ark:/99166/w6wq0k1m).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Legends--Mexico--Juvenile literature
Emperor of Mexico Cuauhtemoc 1495?-1525--Juvenile literature
Mexico--History--Conquest, 1519-1540--Juvenile literature
Ca.1900
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
"The great cartoonist Posada lived through the Porfiriato years and brought a popular message to the mass of citizens who lived so miserably under the Díaz dictatorship. Although best-known for his Calavera images of whimsical skeletons, Posada lived through the early years of the Revolution and his hojas sueltas or broadsides captured much of the activity of the period: corridos to celebrate heroes and battles, or calaveras to satirize unpopular characters.
In this patriotic imagen tricolor, Posada brings back Independence to its true beginning, the 16th of September. Porfirio Diaz had merged independence celebrations with his own birthday on September 15th. Ironically, the Revolution did not do away with this Porfiriato tradition. To this day, Grito festivities, still take place on the eve of September the 16th (source: http://web.stanford.edu/~c0y0t8/celebratemexico/vivael16.html)
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Author: Frias, Heriberto, 1870-1925.
In 1900 the Maucci Brothers, a Spanish publisher, commissioned Posada to illustrate a series of pamphlets for children on the history of Mexico. The cover illustrations are probably the only mechanically produced chromolithographs that Posada ever did.
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Biblioteca del Niño Mexicano
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.