Antonio Vanegas Arroyo (1850?-1917) ran a printing house that issued a series of small theatrical works which were put in his Galería de Teatro Infantil. Some of his publications were illustrated by José Guadalupe Posada. (Source: https://oac.cdlib.org/findaid/ark:/13030/kt4t1nb894/)
The editor is standing in the center between two individuals. Seating in the front row from the left to right are Concepción Vanegas Rubí, Carmen Rubí, and Julia Vanegas Rubí.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo, andanzas de un editor popular (1880-1901) By Jaddiel Díaz Frene, Ángel Cedeño Vanegas
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: "Vaya un torito embolado que al comercio ha revolcado."
a broadsheet with a poem about a drunk bull who apparently attacked several people in the market.
Photo-relief, woodcut, wood engraving and letterpress on beige paper (30 × 20 cm).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: La Calavera infernal. A broadsheet.
The most recurrent theme in his prints, the Calavera (skull), was probably invented by his contemporary Manuel Manilla, but Posada popularized it as a national icon (Source: https://www.moma.org/collection/works/69392).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Artist: Manuel Alfonso Manilla (Mexican, Mexico City, ca. 1830 – 1895, Mexico City),
A booklet cover, ca. 1885
10 x 15 cm.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manuel Alfonso Manilla, ca. 1830 – 1895.
Posada illustrated many small booklets, typically less than twenty pages long and measuring roughly nine centimeters by twelve centimeters. These small publications are known in English as chapbooks; in Spanish, they are known as Cuadernos. The chapbooks covered a variety of subjects including recipes, short stories, songs, and plays. Front covers usually were illustrated with an image related to the content of the chapbook.
Between 1899 and 1901, Posada illustrated for the Biblioteca del Niño Mexicano series — Posada’s only series that appeared in full color. There were a total of 110 chapbook-sized booklets printed. The booklets, written by Heriberto Frías, tell the history of Mexico through short fablelike stories that include Moctezuma and Aztec society before the arrival of the Spanish; the Spanish conquest and the role of the Catholic Church; and the struggle for Mexican independence.