Artist: José Guadalupe Posada (Mexican, 1851–1913).
Shows Francisco I. Madero riding on the horse. With Zapata standing by his side holding the flag of Mexico. It belongs to the broadsheets category of Posada's print.
Francisco Madero rose to become the most popular contender to the presidency of Porfirio Díaz. As the 1910 elections drew near, Díaz imprisoned Madero and won re-election for his eighth term. Following the election Madero escaped from prison and fled to Texas where he plotted a revolution. In early 1911 he re-entered Mexico at Ciudad Juárez, took command of the revolutionary armies, and swiftly progressed in a grand march across Mexico. His triumphal entry into the capital was celebrated with vigorous exaltation.
Image source: https://www.ebay.com/itm/Jose-Guadalupe-Posada-Original-Engraving-GRAN-MARCHA-TRIUNFAL-/153160148194
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913).
The image to the left is the way Posada's workshop looked about 1899. It is one of two photo images we have of the artist. Posada is on the right and it is generally agreed that the young man is Posada's son Juan Sabino Posada Vela who died in 1900. In our search for Posada we now believe that we know the identity of the third person in the photo. In the image below we see historians Agustín Sánchez González and Helia Emma Bonilla Reyna in front of the workshop as it is today. It is about three blocks from Mexico City's zocolo.
Source: Posada Art Foundation, San Francisco.
https://curator-jgposada.blogspot.com/2013/02/searching-for-posada-his-workshop-on.html
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
The Posada Art Foundation, San Francisco, California.
Artist: Artemio Rodriguez (1972-)
Title: Somos parte (1994)
Linocut, 18 x 15 cm.
This particular piece acquires special significance in light of the current Presidential directive of construing the wall. What does an American dream mean? Artemio interrogates the complex realities of many undocumented workers who basically go through a series of trials to cross the border in search of the elusive dream. American dream as an idea has attracted not only the migrants from Latin America, but also from the rest of the world.
edition 36/40, pencil signed and dated lower right, titled center margin
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Author Funes, Ofelia A.
Title Catalogación de la obra de José Guadalupe Posada perteneciente al patrimonio del Museo Nacional del Grabado / Ofelia A. Funes, Inés Pérez Hiriart.
Published [Buenos Aires] : Dirección Nacional de Patrimonio Cultural, Secretaría de Cultura, Presidencia de la Nación, [1999?]
Main (Gardner) Stacks
NE546.P6 A4 1999
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada : 150 años = José Guadalupe Posada : 150 years
Author: José Guadalupe Posada; Artemio Rodríguez; Julie Logan; Silvia Capistrán
Publisher: Los Angeles, Ca. : La mano Press ; México : Editorial RM, 2003.
Series: Art history, México, bilingüal =Historia del arte, México, bilingüe.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: Artemio Rodriguez, Pátzcuaro. One way to promote art is through illustrating through different media. Artemio Rodriguez transports his skills of linocut by illustrating a vintage classic car. Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: El bandido: coleccion de canciones para 1895.
Cuadernillos (chapbooks), chiefly published by the press of Antonio Vanegas Arroyo. Since Manilla passed away in 1895, it is difficult to attribute this engraving to him.
Posted under section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Title Funny bones : Posada and his Day of the Dead calaveras / Duncan Tonatiuh.
Published New York : Abrams Books for Young Readers, 2015.
Main (Gardner) Stacks
NE546.P6 T65 2015
Editor's comments: " Funny Bones tells the story of how the amusing calaveras--skeletons performing various everyday or festive activities--came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852-1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico's Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe's, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author's note, bibliography, glossary, and index."
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Antonio Vanegas Arroyo (1850?-1917) ran a printing house that issued a series of small theatrical works which were put in his Galería de Teatro Infantil. Some of his publications were illustrated by José Guadalupe Posada. (Source: https://oac.cdlib.org/findaid/ark:/13030/kt4t1nb894/)
The editor is standing in the center between two individuals. Seating in the front row from the left to right are Concepción Vanegas Rubí, Carmen Rubí, and Julia Vanegas Rubí.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo, andanzas de un editor popular (1880-1901) By Jaddiel Díaz Frene, Ángel Cedeño Vanegas
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: "Vaya un torito embolado que al comercio ha revolcado."
a broadsheet with a poem about a drunk bull who apparently attacked several people in the market.
Photo-relief, woodcut, wood engraving and letterpress on beige paper (30 × 20 cm).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Artist: Manuel Manilla, (b. in Mexico City, 1830, d. 1895).
Title: La Calavera infernal. A broadsheet.
The most recurrent theme in his prints, the Calavera (skull), was probably invented by his contemporary Manuel Manilla, but Posada popularized it as a national icon (Source: https://www.moma.org/collection/works/69392).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manilla, Manuel, ca. 1880-1910.
Title: Antonio Vanegas Arroyo : un editor extraordinario / Mariana Masera (coordinadora).
Published Ciudad de México : Universidad Nacional Autónoma de México, 2017.
Main (Gardner) Stacks
Z493.V36 A58 2017
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
José Guadalupe Posada : illustrator of chapbooks
Author: Mercurio López Casillas; José Guadalupe Posada
Publisher: Mexico City : Editorial RM, 2005.
Main (Gardner) Stacks
NE546.P6 A4 2005
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: Manuel Alfonso Manilla (Mexican, Mexico City, ca. 1830 – 1895, Mexico City),
A booklet cover, ca. 1885
10 x 15 cm.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Manuel Alfonso Manilla, ca. 1830 – 1895.
Antonio Vanegas Arroyo (1850–1917, Mexican) printer.
Antonio Vanegas Arroyo was born in Puebla, Mexico around 1850; in 1867 he moved to Mexico City; he later established a printing house, and before the turn of the century issued a series of small theatrical works which were put in his Galería de Teatro Infantil; some of his publications had the advantage of being illustrated by José Guadalupe Posada; between them they produced Perico el incorregible, Casa de vecindad and Celos de negro con don Folías ; Vanegas Arroyo published the journals La gaceta callejera, El boletín, El jicote, El teatro, El centavo perdido, and others; he also published the Secretario de los amantes ; he died on March 14, 1917, in Mexico City( Source:http://snaccooperative.org/ark:/99166/w6wq0k1m).
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Legends--Mexico--Juvenile literature
Emperor of Mexico Cuauhtemoc 1495?-1525--Juvenile literature
Mexico--History--Conquest, 1519-1540--Juvenile literature
Ca.1900
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Author: Frias, Heriberto, 1870-1925
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
"The great cartoonist Posada lived through the Porfiriato years and brought a popular message to the mass of citizens who lived so miserably under the Díaz dictatorship. Although best-known for his Calavera images of whimsical skeletons, Posada lived through the early years of the Revolution and his hojas sueltas or broadsides captured much of the activity of the period: corridos to celebrate heroes and battles, or calaveras to satirize unpopular characters.
In this patriotic imagen tricolor, Posada brings back Independence to its true beginning, the 16th of September. Porfirio Diaz had merged independence celebrations with his own birthday on September 15th. Ironically, the Revolution did not do away with this Porfiriato tradition. To this day, Grito festivities, still take place on the eve of September the 16th (source: http://web.stanford.edu/~c0y0t8/celebratemexico/vivael16.html)
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Author: Frias, Heriberto, 1870-1925.
In 1900 the Maucci Brothers, a Spanish publisher, commissioned Posada to illustrate a series of pamphlets for children on the history of Mexico. The cover illustrations are probably the only mechanically produced chromolithographs that Posada ever did.
Chromolithograph on cover designed by José Guadalupe Posada. "Barcelona--Imp. de la Casa Editorial Maucci"--P. 16.
Biblioteca del Niño Mexicano
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.