José Guadalupe Posada (Mexican, 1851–1913)
Broadside shows a male skeleton dressed in a charro outfit wielding a machete in a graveyard, apparently in the process of creating more skeletons--a crowd of skeletons surrounds him and skulls lie at his feet. The text block is decorated with four small skulls.
(Source: Library of Congress-https://www.loc.gov/pictures/resource/ppmsc.03450/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
In 2002-2003, Artemio Rodriguez reinterpreted an original 1939 painting by Frida Kahlo that was entitled, "Las dos Fridas."
This painting was completed shortly after her divorce with Diego Rivera. This portrait shows Frida's two different personalities. One is the traditional Frida in Tehuana costume, with a broken heart, sitting next to an independent, modern-dressed Frida.
"Innocent Creatures" was a series that was envisioned by Artemio Rodriguez in 2003. There were several linocuts that were produced to this end. Some of these depict mythological creatures.
Posted pursuant to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by certain libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913),
Photo-relief and letterpress printed on orange paper.
Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm).
Description source: https://www.metmuseum.org/art/collection/search/738091
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Wood engraving.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Photo-relief and letterpress on beige paper
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
José Guadalupe Posada (Mexican, 1851–1913)
A chapbook printed using the letterpress on a green paper. Signed.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Photo-relief and letterpress on beige paper.
Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm)
"Estos librillos, publicados en la imprenta de Antonio Vanegas Arroyo, fueron escritos por Constancio S. Suárez e ilustrados por José Guadalupe Posada. Contenían historias de amor imposible, platónico, complicado o correspondido. El texto era sencillo y breve para atrapar a los lectores, quienes para conocer el desenlace de una historia tenían que comprar el siguiente número; una práctica común entre los editores."
Source: https://www.gob.mx/agn/articulos/coleccion-de-cartas-amorosas-la-representacion-del-amor-a-principios-del-siglo-xx?idiom=es
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Photo-relief and letterpress on off-white paper.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
The king and his three sons is a story that was illustrated by Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913).
Photo-relief and letterpress printed on beige/off-white paper
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galeria del teatro infantil.
A chapbook printed on natural ground wood paper: relief etching, with text in letterpress; 15.2 x 10.3 cm. (sheet).
Summary: Chapbook cover shows a scene from a play: a couple embraces at the center as two women and a man look on. All wear the costume of the Renaissance. The script involves the pure love between a beast and a woman. After declaring their love for each other, the beast is transformed into a prince and marries the woman. (Source description:
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galeria del teatro infantil.
A chapbook on natural ground wood paper: relief etching, with text in letterpress; 15.2 x 10.3 cm. (sheet).
Summary: Chapbook cover shows scene from a play: a man dressed in the costume of the Renaissance holds a rose. He reacts with surprise as he encounters a beast in a garden. The script concerns the travels of a Marquis who leaves his daughters at home. While on his trip he enters a desolate palace with a beautiful garden. He cuts a rose from the garden to find out that it is guarded by a beast. One of the Marquis' daughters comes to the garden to confront the beast. Part one ends here. (Source of description: http://www.loc.gov/pictures/item/99615859/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galería del Teatro Infantil
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
A chapbook on natural ground wood paper: relief etching, with text in letterpress; 15.4 x 10.8 cm. (sheet).
Summary: Chapbook cover shows a scene from a play: a woman wearing a shawl makes amorous advances towards a bullfighter dressed in full regalia; a bullfighting stadium is in the background. The script concerns a love triangle between Luisa and two bullfighters, Luís and Roberto. (Source: http://www.loc.gov/pictures/item/99615861/)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
Series: Galeria del teatro infantil.
Medium: Photo-relief and letterpress in brown ink on tan paper
Dimensions: Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm) .
(Source: https://www.metmuseum.org/art/collection/search/737967)
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
A chapbook published using the letterpress on a beige paper.
A young man in uniform with cap raised and holding a flag, standing in a field with two dead soldiers. Apparently referring to the marines of Chapultepec?
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: Artemio Rodriguez, Pátzcuaro.
One way to promote art is through illustrating through different media. Artemio Rodriguez transports his skills of linocut by illustrating a vintage classic car.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
The chapbook is entitled, "Blanca nieve y los siete enanos = Snowhite and the seven dwarfs."
Signed by Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.
Artist: José Guadalupe Posada (Mexican, 1851–1913)
A chapbook printed on a beige paper in red color.
Signed by Posada.
Fair academic use only. Posted according to section 108 of title 17 of the United States Code, §201.14: Warnings of copyright for use by individual libraries and archives.
Attribution:
Antonio Vanegas Arroyo (Firm) - Posada, José Guadalupe, ca. 1880-1910.