Author: Hamill, Pete, 1935-
Published: New York : Harry N. Abrams, 1999.
The Mexican Revolution and the Arts: Monographs.
"Like his contemporary, Pablo Picasso, the Mexican artist Diego Rivera (1886-1957) was a man of enormous energy, astonishing versatility, and voracious appetites. Rivera made his mark as one of the greatest muralists of the twentieth century. His dramatic public life involved him in the deepest contradictions of art and politics. The great years of Rivera's art - the 1920s and early 1930s - saw an outpouring of work that was equal to the achievement of any twentieth-century master." "Pete Hamill's Diego Rivera narrates the life and explores the art of this remarkable figure: prodigiously productive artist, polemicist and political activist, Mexican nationalist, and lover of many women. Acknowledging the cost of Rivera's didactic communism, Hamill focuses on what is enduring in his work." "Pete Hamill has served as editor in chief of the New York Daily News, the New York Post, and the Mexico City News."--Jacket.
"The Revolutionaries.” 1957-65. Acrylic on plywood.
Hall of the Revolution, National History Museum, Chapultepec Castle, Mexico City, Mexico.
This important mural was made by David Alfaro Siqueiros (1896-1974) who worked on this work from 1957 to 1960 and later, in 1966. He was the only one of the well known Mexican muralists who actively participated in the revolution.
Fair Use. We are using a small section of a large mural.
Source: https://mnh.inah.gob.mx/murales
David Alfaro Siqueiros - Murales at the Castle .
Condiciones de uso
D.R. Instituto Nacional de Antropología e Historia, México
Creative Commons License
Source: http://mediateca.inah.gob.mx/islandora_74/islandora/object/mural%3A391#main-content
Fair use
Attribution:
DAVID ALFARO SIQUEIROS (December 29, 1896 – January 6, 1974).
Author : Deborah Caplow.
Published : Austin : University of Texas Press, 2007.
Profusely illustrated with over one hundred and fifty images, it examines the whole sweep of Mendez's artistic career. Deborah Caplow Mendez within both Mexican and international art of the twentieth century.
Creator
Diego Rivera, Mexican, 1886-1957
Work Type
Painting
Date
1931
Material
Fresco
Measurements
7' 9 3/4" x 6' 2" (238.1 x 188 cm)
Repository
The Museum of Modern Art Abby Aldrich Rockefeller Fund.
Use of this image is in accordance with the Artstor Terms & Conditions.
4.2 Fair Use, Educational, and Other Exceptions to Copyright Laws for Artstor Content.
Rufino del Carmen Arellanes Tamayo (August 25, 1899 – June 24, 1991) was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences (Wiki). His mural- Revolucion was created in 1938.
Location:
FUNDACION CULTURAL OLGA Y RUFINO TAMAYO, CIUDAD DE MEXICO, DISTRITO FEDERAL, MEXICO
Material
FRESCO/FRESCO
Description
Photographer: Bob Schalkwijk
The mural's copyright belongs to Rufino Tamayo. Image from Artstor for Fair Academic Use Only.
Calavera Revolucionaria
Artist: José Guadalupe Posada
Mexican, 1852-1913.
c 1910.
Format: Broadside
A work made of photo-relief etching (drawing style) in black on green wove paper.
CC0 Public Domain Designation per Art Institute of Chicago (Source).
Copyright status unknown. Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Arist: José Guadalupe Posada
Mexican, 1852-1913
ca.1910
Copyright status unknown. Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
A work made of photo relief etching with touches of engraving on green wove paper.
CC0 Public Domain Designation (Source: Art Institute of Chicago).
Artist: José Guadalupe Posada
Mexican, 1852-1913
Here are the details on the broadside, "Calaveras del Monton," that show lines invoking Madero.
Copyright status unknown. Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Artist: José Guadalupe Posada.
Most likely reprint of 1944.
Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Artist: José Guadalupe Posada, 1852-1913.
Relief engraving or photo relief etching (left) and photo relief etching (right) on green wove paper.
Image source is the Art Institute of Chicago.
Copyright status unknown. Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Artist: José Guadalupe Posada
1911.
Image source: Art Institute of Chicago.
"Gloria eterna se han conquistado
Esas tropas de heroico valor
Que de México han extirpado
La ponzoña de un cruel dictador."
“CC0 Public Domain Designation”
Copyright status unknown. Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
The Centennial of Mexico’s Independence in the Year 1910.
Source: Art Institute of Chicago.
“CC0 Public Domain Designation”
Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Artist: Juan O'Gorman.
Measures: 6.50 m high x 4.50 m wide
Date of realization: 1970 to 1973
Museo Nacional de Historia
El feudalismo porfirista is a mural at the Museum of History in the Chapultepec Castle. It symbolizes the feudalism as it existed during the Porfirio Diaz's long regime. The mural depicts on one side of the panel poverty of the Campesinos that were exploited by the landowners or Caudillos. On the other side, it shows the image of General Porfirio Diaz as a godfather of the nation surrounded by his wife and confidants.
This mural depicts the state of Mexican society at the end of 19th century Mexico. Juan O'Gorman was a Mexican painter and architect.
The image copyright belongs to Museo Nacional de Historia.
Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Director: Emilio Fernández
Year: 1943
Country: Mexico
Dolores del Río and Pedro Armendáriz acted in this movie. Although not directly related to the Mexican Revolution, the story is set in a pre-revolutionary Mexico. The genre of the film is "indigenist."
Keller, Gary D. “THE IMAGE OF THE CHICANO IN MEXICAN, UNITED STATES, AND CHICANO CINEMA: AN OVERVIEW.” Bilingual Review / La Revista Bilingüe, vol. 10, no. 2/3, 1983, pp. 9–208. JSTOR, www.jstor.org/stable/25744057. Accessed 21 Apr. 2020.
Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Author: Pick, Zuzana M.
Published: Austin : University of Texas Press, 2010.
The Mexican Revolution and the Arts: Monographs.
With a cast ranging from Pancho Villa to Dolores del Rio and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography.
E-book access: https://libproxy.berkeley.edu/login?qurl=http%3A%2F%2Fhdl.handle.net%2F2027%2Fheb.31423.