Estampas de la Revolución Mexicana, 85 Grabados de Los Artists del Taller de Gráfica Popular, 1947. Marta Adams papers, circa 1914-circa 1991. Archives of American Art, Smithsonian Institution.
Information from the accompanying booklet states: “Aprehendidos infraganti, mátalos en caliente”, decía telegrama que Porfirio Díaz envío al general Luis Mier y Terán, Comandante Militar de Veracruz, para indicarle que, sin juicio, fusilara a varias personas cuyo único delito consistía en anhelar un régimen democrático. El 25 de junio de 1879 fueron llevados al paredón los jefes de este frustrado movimiento revolucionario, precursor de los acontecimientos de 1910. Alberto Morales Jimenez.
Bancroft Library also has a copy.
Artist: Alfredo Zalce (Mexico, Michoacán, Pátzcuaro, 1908-2003), Mexico, 1947, Prints, Linoleum cut.
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Estampas de la Revolución Mexicana, 85 Grabados de Los Artists del Taller de Grafica Popular, 1947. Marta Adams papers, circa 1914-circa 1991. Archives of American Art, Smithsonian Institution.
Bancroft Library also has a copy.
Artist: Mariana Yampolsky (the United States, active Mexico, 1925-2002)
About the artist: According to Jewish Women's Archive's Encyclopedia, "One of the most prominent and influential artists of Mexico, Mariana Yampolsky was born on September 6, 1925, in Chicago and raised on her paternal grandfather’s farm in Illinois until completing high school. Her father, Oscar Yampolsky, a sculptor and painter, came from a progressive, multilingual, cosmopolitan but financially uncertain Russian Jewish family who had immigrated to the United States at the turn of the twentieth century because of antisemitic persecution. https://jwa.org/encyclopedia/article/yampolsky-mariana"
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This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Estampas de la Revolución Mexicana, 85 Grabados de Los Artists del Taller de Grafica Popular, 1947. Marta Adams papers, circa 1914-circa 1991. Archives of American Art, Smithsonian Institution.
Bancroft Library also has a copy.
Artist: Alberto Beltrán
Francisco "Pancho" Villa was a Mexican revolutionary general and one of the most prominent figures of the Mexican Revolution. As commander of the División del Norte, 'Division of the North', in the Constitutionalist Army, he was a military-landowner of the northern Mexican state of Chihuahua (Source: Wik)
Copyright status is undetermined.
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This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Estampas de la Revolución Mexicana, 85 Grabados de Los Artists del Taller de Grafica Popular, 1947. Marta Adams papers, circa 1914-circa 1991. Archives of American Art, Smithsonian Institution.
Bancroft Library also has a copy.
Artist: Fernando Castro Pacheco
Mexican workers in the Río Blanco fabric factory struck and rebelled against the working conditions on January 7, 1907. Their rebellion was suppressed during the Porfirato. The Río Blanco rebellion is named a precursor event to the 1910 Mexican Revolution.
Estampas de la Revolución Mexicana, 85 Grabados de Los Artists del Taller de Grafica Popular, 1947. Marta Adams papers, circa 1914-circa 1991. Archives of American Art, Smithsonian Institution.
Bancroft Library also has a copy.
The artist of "La Soldadera," is Alfredo Zalce.
The copyright status is undetermined.
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This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Historical notes by Alberto Morales Jimenez.
Mexico, D.F. : Editado por "La Estampa Mexicana," 1947.
Portfolio of 85 engraving prints, including the cover illustration, by various Mexican artists, depicting scenes of the Mexican Revolution. The portfolio contains 84 prints described and a portfolio cover.
The image used here is of the Smithsonian Institute's copy. At UC Berkeley, Bancroft Library also holds a copy.
The Taller de Gráfica Popular (The People’s Print Workshop), or the TGP, was established in Mexico City in 1937 by artists Leopoldo Méndez (1902–1968), Luis Arenal (1908–1985), Raúl Anguiano (1915–2006), and Pablo O’Higgins (1904–1983). The TGP was a collective center for the creation of sociopolitical art (Source: LACMA, https://collections.lacma.org/node/580931).
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This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Artist: Juan O'Gorman.
Measures: 6.50 m high x 4.50 m wide
Date of realization: 1970 to 1973
Museo Nacional de Historia
El feudalismo porfirista is a mural at the Museum of History in the Chapultepec Castle. It symbolizes the feudalism as it existed during the Porfirio Diaz's long regime. The mural depicts on one side of the panel poverty of the Campesinos that were exploited by the landowners or Caudillos. On the other side, it shows the image of General Porfirio Diaz as a godfather of the nation surrounded by his wife and confidants.
This mural depicts the state of Mexican society at the end of 19th century Mexico. Juan O'Gorman was a Mexican painter and architect.
The image copyright belongs to Museo Nacional de Historia.
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Director: Francesco Taboada Tabone.
Country: Mexico
Year: 2002
Publisher's description: Almost one hundred years later after the 1910 Mexican Revolution, the last of the soldiers who fought beside General Emiliano Zapata offer their chilling testimony of the Liberation Army of the South. They speak on the failure of the Revolution and of today's neoliberal governments, of the agrarian and ecological disaster threatening their country and of the looming civil war if the Zapatista ideals they represent continue to be ignored (Source: Amazon).
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This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Fair Academic Use Only.
This image may be protected by the U. S. Copyright Law (Title 17, U.S.C).
Author: Juan O'Gorman
Measurements. 4.50 m high x 6.50 m wide
Date of realization: 1968
Museo Nacional de Historia Castillo de Chapultepec
The museum site describes this mural as, "This mural shows the end of the first stage of the Mexican Revolution with the so-called "March of Loyalty". At the center of this space, Francisco I. Madero, riding on horseback, is accompanied by cadets of the Military College and by politicians of the revolutionary era, from the Chapultepec Castle to the city center to face the armed uprising in the Citadel."
The copyright of this image belongs to Museo Nacional de Historia Castillo de Chapultepec .
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