Global Influence Preserving Moving Images from Environmental Movements in the West, 1920-2000

Acknowledgements

Library Staff Contributors. Many thanks to the following:

  • Mery Alaberkyan, Digital Collections Student Assistant
  • Monica Alarcon, Head of Administrative Services, The Bancroft Library
  • Karla Altamirano, Digital Collections Student Assistant
  • Dawn Aveline, Director of Preservation Programs, The MediaPreserve
  • Becca Bender, 2017 Digital Collections Summer Intern and MIAP Graduate
  • Howard Besser, Founding Director of the Moving Image Archiving and Preservation MA program
  • Jay Boncodin, Library IT
  • Terry Boom, Original and Copy Cataloger, The Bancroft Library
  • Randal Brandt, Head of Cataloging, The Bancroft Library
  • Iris Donovan, Circulation Supervisor/Stacks Manager, The Bancroft Library
  • Mary W. Elings, Assistant Director, Head of Technical Services, The Bancroft Library
  • Jonathan Farbowitz, 2015 Digital Collections Summer Intern and MIAP Graduate
  • Lynne E. Grigsby, Head, Library IT
  • Meilin Huang, Financial Analyst, The Bancroft Library
  • Mary Jackson, 2019 Digital Collections Summer Intern and MIAP Graduate
  • Michael Lange, Copyright & Information Policy Specialist, The Bancroft Library
  • J.J. Mansalay, Library IT
  • Media Preserve, Digitization vendor
  • Susan McElrath, Head of Bancroft Public Services
  • Lara Michels, Head of Archival Processing, The Bancroft Library
  • Lisa Monhoff, Project Archivist, The Bancroft Library
  • David Moles, Lead Applications Developer, Library IT
  • Julie Musson, Digital Archivist, The Bancroft Library
  • Lisa Rowlison de Ortiz, Senior Catalog Librarian, The Bancroft Library
  • Theresa Salazar, Curator, The Bancroft Library
  • Donald Smith, Mailroom Supervisor
  • Anusha Subramanian, Digital Collections Student Assistant
  • Lee Anne Titangos, Information and Instruction Specialist, The Bancroft Library
  • Lynn Tran, Library Buyer and Millennium Payments Lead Analyst, Business Services

This project was supported by a Recordings at Risk grant from the Council on Library and Information Resources (CLIR). The grant program is made possible by funding from The Andrew W. Mellon Foundation.

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